Archive for the ‘Watercolor image’ Category

Today is to -12º F as Spring is to Bright Tulips

February 8, 2011

When I awakened this morning the thermometer read -12º F. While I know that is a heat wave for some of you, I’m staying in the house and thinking S-P-R-I-N-G!

Last April I photographed this Willis Avenue (Perry, Iowa) tulip (above). It caught my eye because it is similar to tulips in Mother’s (Marion Gunderson) Bright Tulips 1968 watercolor shown below.

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The Bright Tulips original is owned by Kim Webb Toth-Tevel of California. Kim, a granddaughter of the late Jane Webb (formerly of Rolfe, Iowa, and dear friend of Mother’s), was generous to ship her painting to me so prints of it could be made.

Bright Tulips prints in three sizes* are available by contacting me directly at mariongundersonart@gmail.com or by ordering online. A limited supply of Bright Tulips is available at Wild Faces Gallery (712-848-3399) in Rolfe, and the Rolfe Public Library (712-848-3143). The profits go to the Rolfe Public Library where Mother worked for thirty-five years.

*The three sizes are as follows: 10″ H x 13.3″ W (Medium $25), 13.25″ H x 17.6″ W (Standard $35…when matted, fits in standard 20″ x 24″ frame) and 16.4″ H x 22″ W (Grand $50). Larger sizes may be special ordered by contacting me or the gallery.

(Click here to go to Louise Gunderson Shimon’s blog’s home page.)

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Pocahontas, Iowa, in the Summer of 1949 (Part II)

January 23, 2011

To make sense of this post, it would probably help to refer to Part I. While Part I definitely is about the summer of 1949, this Part II post is more of a potpourri about the general location (past and present) of Arlene Brockney’s story of when she was a teenager in 1949. Also, referring to the post titled Pocahontas, Iowa: One Subject Equals Two Paintings will explain about Mother’s (Marion Gunderson) almost identical watercolors of the Pocahontas grain elevator, painted the same year as Arlene’s story…1949.

This is an eBay photo of Pocahontas, Iowa. The camera is at the east looking basically to the west. In the upper left corner is just a tad of Highway 3 with what looks like one car on it. Also at the upper left is what I'm thinking is a gas station at the location of the current Pocahontas branch building of the Rolfe State Bank. The water tower in this photo no longer exists. The grain elevator annex (the 2nd tallest large building in this photo) was not present at the time Mother (Marion Gunderson) painted her two Pocahontas grain elevator watercolors. According to the Pocahontas County History (1981) the 200,000 bushel annex was built in 1954. Also according to the history, a new 400,000 bushel silo (not in this photo) was built in 1970. From that, I assume this photo was taken sometime between 1954 and 1970. You can also see the car dealership in the bottom center of the photo. The train tracks in this photo run from southeast (lower left) to northwest (upper right) along the southwest side of the grain elevator. After looking closely at Mother's watercolors of the Pocahontas grain elevator, I see that the railroad cars were between her and the grain elevator. With that in mind, I'm assuming Mother painted her Pocahontas Grain Elevator watercolors at a vantage point south or south-southwest of the grain elevator. (Click on photo to enlarge.)

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My research about Mother’s vantage point for her two 1949 Pocahontas grain elevator watercolors included my talking with Bob Bellows, Rolfe State Bank Vice-President. Bob works at the branch office in Pocahontas. On my behalf, he conducted research of his own. According to Bob’s source, there had been a double-wide trailer where the Rolfe State Bank branch building now sits. Bob and I are assuming it is the same trailer in which Arlene Brockney lived. (Arlene’s story is in Part I.)

Bob also said there was a DX station (as Arlene also mentioned) closer to Highway 3. The DX station was owned by Jerry Hotovec. The DX station was sold and another building built at the same location in the mid-’60s. This building was the Superior 400, which later became a Gulfstream station, and then was the Pro Coop’s cartrol (i.e., credit card-only station.) The former location of those businesses is now the location of the current bank branch parking lot. It is sandwiched between the Highway 3 and the south side of the branch bank building.

The Rolfe State Bank branch in Pocahontas opened in September of 2001…in a trailer (different than the one Arlene mentioned) which was to the south of the current RSB building. On March 1st of 2004, the Rolfe State Bank moved from the trailer into the present branch building.

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(Click on photo to enlarge.)

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*In case you missed it, here is my oldest sister Clara’s comment from Part I about Mother’s watercolors of the Pocahontas grain elevator.

I remember going with Mother once when she painted the Pocahontas elevator. Although we probably were with other members of the Barr Art Association, I don’t remember if they were there or it was just Mother. Nor do I recall how old I would have been, but if it was this painting, I was probably seven.

One thing that we didn’t discover until recently is that sometimes Mother created more than one painting of the same thing. We think it’s the same, but when we look closely we discover differences. That’s true with this elevator painting. We don’t know if Mother was so intrigued with the painting that she did another, if she was trying to correct a flaw (she always thought of something that could be improved), or if she was creating another painting for someone else.

(Click here to go to Louise Gunderson Shimon’s blog’s home page.)

Pocahontas, Iowa, in the Summer of 1949 (Part I)

January 20, 2011

In November of 2009 the Des Moines Register published an article about Mother’s (Marion Gunderson) work and her watercolors. The timing of the article coincided with the open house at Bill’s and my Perry, Iowa, home. At that open house, prints of Mother’s watercolors were sold with the profits going to the Rolfe Public Library Trust.*

Pocahontas Grain Elevator II Prints are available in three sizes: Medium (Limited Edition, 10" W x ~12.3" H, $25), Grand (~18" W x 22" H, $50), and Largest (20" W x ~24.5" H, same size as the original, $70). (Click photo to enlarge.)

The watercolor featured in the Register article was that of the Pocahontas, Iowa, grain elevator, shown at the left. The article caught the attention of Arlene Brockney of Waukee who lived in Pocahontas in the late 1940s and is the daughter of Viola Jacobson.

Arlene’s recollection of the grain elevator construction is as follows.

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Pocahontas Elevator, Summer of 1949

My family lived west across the street while it [the grain elevator] was being built. They worked all day and night pouring the cement. For the workers there was a huge night-light that was also great for evening walks.

My mom went to work at the Ideal Cafe at 5 o’clock in the morning. As she would leave the house for work, the construction crew would holler down to her their orders for breakfast. That way, hot food was ready for them when their shift was done.

When the elevator was finished, my mother and two sisters rode to the top and waved at me. Our lot is now in the approximate area of the parking lot for the branch office of the Rolfe State Bank.

 

The building in the foreground is the Pocahontas, Iowa, branch of the Rolfe State Bank. As a teenager, Arlene Brockney lived in a trailer that, in the 1940s, was in the vicinity -- just north -- of what is now the location of the bank building. The grain elevator that Mother painted is behind the bins in this photo. The street at the far right is Highway 3 running east/west. The camera is pointed primarily east. (Click photo to enlarge.)

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Arlene said she was 14-years-old and detasseled corn that summer of 1949. She said that the night-light for the construction crew was like a helicopter hovering. Arlene chuckled when she said that the light did not allow for privacy, making her glad that the elevator construction was completed by the time she started dating!

In the midst of the breeze of the summer nights, while on the ground, Arlene could hear the construction workers above talking. Well, actually mumbling with people below not knowing exactly what the workers were talking about.

At that time, Arlene’s family lived in a trailer on the Pocahontas property that is now owned by Rolfe State Bank.

(Click here to view Part II including what I think is a 1950s or ’60s aerial photo of the Pocahontas grain elevator.)

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At this link you’ll see information regarding prints of Mother’s watercolor (shown above) as well as where you may purchase them in Rolfe. Prints may also be ordered online. Mother also painted the Rolfe grain elevator and train depot (two watercolors) and Gilmore City grain elevator and depot (one watercolor).

*All profits go to support the digitizing of 101 years of Rolfe newspapers so they will be accessible online. Hopefully they will be online in March.

Click here to go to Louise Gunderson Shimon’s blog’s home page.

Geraniums in the Fall (actually, anytime)

November 27, 2010

What a difference one week of fall can make. All four photos in this post include geraniums. To enlarge the photos, just click on them.

The top photo was taken one week ago on November 20th. The second photo* was taken today, the 27th.

The third photo is of the geranium watercolor painted by Mother (Marion Gunderson) in 1972. Mother was partial to geraniums, planting them in the several-feet-long brick flower planters at Gunderland following each Memorial Day. (Because of her fondness of them, ever since I was a little girl, on Mother’s Day I gave Mother a potted geranium.)

The bottom photo was taken May 29, 2005, six months after Mother passed away. The photo is of Daddy (Deane Gunderson) placing a geranium on Mother’s grave at Clinton-Garfield Cemetery in Rolfe, Iowa. Mother passed away peacefully on November 30, 2004.

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* The second photo was taken with the combination of three accessories: 1. 50 mm lens, 2. Kenko 36mm extension tube and 3. Kenko 12 mm extension tube. Shutter: 1/8. Aperture: f/9.0. Exposure Bias: 0.0. ISO: 400. Manual focus. (I was so close to the geranium that I couldn’t get the camera to focus automatically any better than just a blur.) It was approaching dusk, so gettting dark; I used Photoshop to lighten up the photo just a tad, but not much.

(Click here to go to Louise Gunderson Shimon’s blog’s home page.)

OooooOooooooOooooooooooohhhhh (La La) — Part II

September 22, 2010

Five posts ago I was excited to include a tease about the newest prints of Mother’s (Marion Gunderson) watercolor, Churchyard, painted in 1954. I got sidetracked in subsequent posts. Finally here is the full image of predominantly rich purples and blacks with tombstones of oranges and moonlight. YES! If you look closely at the painting, you’ll see that Mother somehow “painted” the tombstones and church with magical moonlight! This IS a fabulous painting.

Churchyard prints are available in two sizes: Medium (13.25" W x 10" H, $25). Large* (Limited Edition, 20.35" W x 14.25" H, same size as the original, $45). (Click on image to enlarge.)

As a kid, did you ever go with a bunch of kids out to a cemetery when you really weren’t supposed to? At night? When your parents thought you were probably doing something worthwhile? If you didn’t, maybe you were a better “good kid” than I was! (I was good…just not perfect.) I was once at a cemetery at night when I wasn’t supposed to be…the Old Rolfe cemetery. Summer of 1969. Although this painting** is not of Old Rolfe, when I look at the painting, I’m “there” in that adrenaline-flowing creepy night when small town kids will be kids. Oooooooo…OooOOoooooooooo…OOOOoooooooooooooohhhhhh! La La!

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In this photo is Mother's handwriting on the back of her original of Churchyard. It appears that she included this painting in one of her exhibits, but did not want to part with it! (Click on photo to enlarge.)

Although Churchyard is festive for the fall season, it doesn’t shout “Halloween.” I typically rotate it with other artwork, but also have been known to display the original throughout the year.

*To help cut down on framing expenses, when bordered with a 2″ mat, this large size (20.35″ W x 14.25″ H) fits perfectly in a standard size 18″ x 24″ frame. I’ve seen one Churchyard matted with a single orange mat. Another was accentuated with a double mat of two shades of purple.

Prints may be obtained by contacting me (mariongundersonart@gmail.com), by purchasing at Wild Faces Gallery (712-848-3399) in Rolfe, Iowa, or by ordering online at www.mariongundersonart.ecrater.com. (At the eCRATER site, Churchyard is in the “Year-Round or Seasonal” category.)

**Mother’s note about Churchyard says, “Done from newspaper clipping.” My family does not know the location of this particular churchyard.

(Click here to go to Louise Shimon’s blog’s home page.)

A Designer’s Perspective

March 17, 2010

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Grain Elevator, Rolfe, Iowa, by Marion Gunderson, circa 1950. Standard size limited edition -- 13.25" W x 17.25" H, $35. When matted, fits in standard size 20" x 24" frame.* (Click photo to enlarge.)

Kathleen Beeler is an interior designer friend who several months ago saw a few of Mother’s original watercolors. Kathleen plans to incorporate fresh-looking artwork in her home and wanted to take a look at prints of Mother’s watercolors…mainly the agriculture-related ones.

Yesterday I took prints to Kathleen’s home for her to try in various rooms. (I felt like the Fuller Brush man.) Kathleen was/is so pleased with her finds. Knowing that Kathleen has a design background that I trust, I got goosebumps thinking how pleased Mother would have been listening to Kathleen ooh and aah about Mother’s work. “They fit my house, my lifestyle and my husband’s background.”

What really made me “see” Mother smile was something Kathleen said about the ag-related prints/originals, for example of the Rolfe, Iowa, grain elevator that was destroyed in a 1969 fire. Or the Iowa State University heating plant** (that Mother painted a watercolor of in 1951) that no longer exists. Kathleen kept commenting about how even though the watercolors were painted decades ago, they haven’t faded out of style. She said, “They aren’t stylized. They are sophisticated. They are contemporary portrayals of something in America we’re losing.”

Exactly.

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* Click here for size/price information about prints. All profits from sales of prints go to the Rolfe (Iowa) Public Library.

** Within the next few months, prints of the Iowa State University heating plant watercolor will be available.

(Click here to go to Louise Shimon’s blog’s home page.)

Hollyhocks Watercolor by Marion A. Gunderson, 1954

March 14, 2010

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The newest image for this blog’s header/banner is of a very small portion of the Hollyhocks watercolor (below) painted by Mother in 1954. (1954 was about two years after Cathrine Barr taught her last class for northwest Iowa’s Barr Art Association. The association* continued to meet into the 1970s.)

Hollyhocks watercolor by Marion A. Gunderson, 1954. This watercolor was framed and behind glass in this photo. (Click on photo to enlarge.)

In case you are trying to figure out exactly from where in the watercolor the much smaller banner image is taken, maybe this explanation will help. If you could take the banner that is above and rotate it 180 degrees, it would be right-side-up. It could then overlay part of the lower left hollyhock bloom in the actual painting.

Before I had this original framed. I took two frame moulding samples to Mother’s nursing home room. (This would have been within the year before she passed away.) I explained to her that I wanted her to select the moulding sample that she liked best, which she did. After the framing was complete, but before Bill and I hung this watercolor in our home, I once again took Hollyhocks to Mother (still in the nursing home) so she could bask in her painting’s beauty.

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To view images and size/cost information regarding currently available prints of Mother’s watercolors, click on the “View and Order Prints” link on this blog’s home page.

With Easter just around the corner, at present the Bunny prints are in the highest demand. In the actual Bunny prints, the tail and ears look more pink-than-orange than they do on my computer monitor.

Prints have not yet been made of the Hollyhocks painting. However, if you have an interest in having a print of this watercolor, please contact me at mariongundersonart@gmail.com.

*More information about Cathrine Barr and the Barr Art Association is in this post. Within the next year, I hope to have additional information to add about Cathrine and/or the association.

(Click here to go to Louise Shimon’s blog’s home page.)

1940s Construction and Watercolors of the Pocahontas, Iowa, Grain Elevator (Part II)

February 18, 2010

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In 1949, Mother (Marion Gunderson) painted two watercolors of the Pocahontas, Iowa, grain elevator/concrete silos. (Information about those two and other watercolors is available at “View and Order Prints.”)

Mother's (Marion Gunderson) signature on one of her 1949 watercolors of the Pocahontas, Iowa, grain elevator.

Not long before Mother painted those watercolors in 1949, Mike Hood, formerly of Pocahontas, watched that same Pocahontas grain elevator being built. The following is a continuation of Part I of Mike’s recollection. Most of the information below is about Mike’s family, but gives a “visual” of the 1940s. Mike was 8 or 9 years old at that time. As you read the rest of his essay, try to imagine looking through his eyes as a child…more than sixty years ago.

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By Mike Hood

(continued from Part I)

We had a pony named Fancy and a lovely little four-wheel black buggy with yellow wheels, that I was the right age to use. I could harness the pony and would drive the rig for hours in a hay field of about 10 acres south of our house. That house still stands on the west side of the road one-quarter of a mile north of the Pocahontas County Courthouse. (Grandfather Michael Linnan’s name is on a wall in the courthouse because he was a County Supervisor when it was built in the 1920s.) I remember that sometimes I would meet my cousins and give them a ride for that last quarter mile on the little buggy. I remember, too, that they would be dead tired from the hard work of pouring concrete for those long 12-hour shifts.

Pocahontas Grain Elevator II prints are available in three sizes: Small (Limited Edition, 10" W x ~12.3" H, $25). Grand (Limited Edition, ~ 17.9" W x 22" H, $50). Largest (20" W x ~24.5" H, same size as the original). Click photo to enlarge.

Jim’s and Frank’s motive, of course, was money for college. Their father, Uncle Charles Linnan, of rural Laurens, rented a 160-acre farm and was not extremely money prosperous in those days. Both of those boys graduated from the University of Iowa. Jim Linnan had a successful career at Ruan in Des Moines, and was the mayor of Clive, Iowa, when he died suddenly of a heart attack in the spring of 1970.

My uncle Bill Linnan was the father of Donald Linnan, of Storm Lake and former County Engineer of Buena Vista County, of Fr. Roger Linnan, who continues as a popular parish priest who served at Jefferson, Manson, Spencer and even now in his 70s at Haywarden, and of Karen Brown, who is married to a retired dentist from Montana, now retired in Sioux City.

All of those cousins were college graduates and were an inspiration to me. I was an editor at Successful Farming and Country America magazines, and now oversee our several farms and photograph antique tractors for calendars.

I remember very clearly sitting on the roof of the chicken house on that Pocahontas farm and counting five concrete grain elevators in what must have been the summer of 1950. Those would have been at Pocahontas, Havelock, Plover, Rolfe and Gilmore City. Obviously, the concrete grain storage technology caught on very rapidly.

We moved from our wonderful Pocahontas 160-acre place to a 305-acre farm bordering Columbia, Missouri, in March of 1951, and in a few years I would be hauling wheat to an old-fashioned tin-sided elevator on hot July days and nights. The famous architect Frank Lloyd Wright called those grain elevators the skyscrapers of the prairies. Indeed!

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(Click here to go to Louise Shimon’s blog’s home page.)

1940s Construction and Watercolors of the Pocahontas, Iowa, Grain Elevator (Part I)

February 16, 2010

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Pocahontas Grain Elevator II prints are available in three sizes: Small (Limited Edition, 10" W x ~12.3" H, $25). Grand (Limited Edition, ~ 17.9" W x 22" H, $50). Largest (20" W x ~24.5" H, same size as the original). Click photo to enlarge.

The November 10th, 2009, Des Moines Register included an article about Mother’s (Marion Gunderson) watercolors and the Rolfe, Iowa, 1980-81 oral history project.* Published alongside that article was a photo of Mother. Also included with that article was this post’s photo (at left) of one of Mother’s painted-in-1949 watercolors of the Pocahontas, Iowa, grain elevator.

Enticed by that Register article, including the image of Mother’s grain elevator watercolor, Mike and Sally Hood of West Des Moines attended the open house.

After the open house I remembered Mike’s telling of his first-hand story of the 1948 or 1949 construction of that same Pocahontas, Iowa, grain elevator.  At my request, Mike was generous to pen that story and allow me to post it here.

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By Mike Hood

(formerly of Pocahontas, Iowa)

It was exciting to be a little boy perhaps 8 or 9 years old in Pocahontas, Iowa, in the summer of 1948 or 1949 when they were building the huge concrete silos** to enlarge and modernize the main grain elevator in town. It was particularly exciting for me because my Uncle W. B. Linnan was supplying all of the concrete from his Ready-Mix plant on the east edge of town for this structure. (The Ready-Mix plant still stands much as it was then!) Also, two older cousins, brothers Jim and Frank Linnan, who were college students at the University of Iowa, were living with us and working on this project, which was a very good paying job with good hourly wages and, of course, long hours.

I remember that once they started pouring concrete for the grain silos, they had to continue nonstop until it was completed. They used slip forms that were jacked upward and were filled with wet concrete as the construction progressed. As I recall, my cousins worked long 12-hour shifts and walked home from work to our farm.

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At this point, I’m interrupting Mike’s essay. I’ll include the rest of it in the next post.  (Part of the remainder of his essay includes information about Mike’s family that he included for his daughters.)

For now, to quickly learn how (or to refresh your memory) the slip forms to which Mike referred were/are used to construct concrete grain elevators, please watch this 33-second YouTube video.

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* This oral history project was spearheaded by Mother.

** The silos to which Mike referred are the silos painted twice by Mother in the 1940s.

(Click here to go to Louise Shimon’s blog’s home page.)

Red Flower Watercolor by Marion A. Gunderson

February 3, 2010

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In this trio of originals of Mother's watercolors, Red Flower, painted in 1969, is at the right. (Click photo to enlarge.)

Several of Mother’s (Marion Gunderson) original watercolors were on display at the November open house. These originals were either loose and displayed on tables, or framed. Open house guests were informed that if they had an interest in having a print made of any of the displayed watercolors, to make me aware of their desires. If there was enough interest in prints of any particular watercolor, I’d consider making prints available.

(Click image twice to enlarge.)

Two women attending the open house expressed interest in this Red Flower original. Voila! Because of their interest, prints of Red Flower are now available in three sizes.

Small unmatted*: 7″ W x 10″ H; $15

Medium: 10″ W x 14 3/8″ H; $25

Large: ~13.5″ W x ~19.5″ H limited edition; $40 (The original has the same dimensions.)

Wild Faces Gallery in Rolfe, Iowa, intends to have available at least one print of each size. I plan to have the same inventory at my home. The Rolfe Public Library plans to have at least one print of Red Flower available; however due to space/storage constraints there, the library might not always have one of every size.

If you are interested in viewing and/or purchasing a print(s), feel free to do so at Wild Faces Gallery in Rolfe (712-848-3399) or at the Rolfe Public Library (712-848-3143). You may also view and/or purchase prints by contacting me at mariongundersonart@gmail.com. In addition, I am happy to ship prints.

These Red Flower prints are gorgeous. Just take my word for it. These prints are g-o-r-g-e-o-u-s.

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* From time to time we’ll have this small size available with a pre-selected double mat option. The matted print will fit in a standard size 11″ x 14″ frame. When this pre-selected mat option is available, the matted print will be $29. We’ve started offering this matting on more small-sized prints because at the open house this option to fit in a standard size frame was so popular.

To see images of additional prints of Mother’s watercolors, click on “View and Order Prints” at the right side of this blog’s home page.