To make sense of this post, it would probably help to refer to Part I. While Part I definitely is about the summer of 1949, this Part II post is more of a potpourri about the general location (past and present) of Arlene Brockney’s story of when she was a teenager in 1949. Also, referring to the post titled Pocahontas, Iowa: One Subject Equals Two Paintings will explain about Mother’s (Marion Gunderson) almost identical watercolors of the Pocahontas grain elevator, painted the same year as Arlene’s story…1949.
My research about Mother’s vantage point for her two 1949 Pocahontas grain elevator watercolors included my talking with Bob Bellows, Rolfe State Bank Vice-President. Bob works at the branch office in Pocahontas. On my behalf, he conducted research of his own. According to Bob’s source, there had been a double-wide trailer where the Rolfe State Bank branch building now sits. Bob and I are assuming it is the same trailer in which Arlene Brockney lived. (Arlene’s story is in Part I.)
Bob also said there was a DX station (as Arlene also mentioned) closer to Highway 3. The DX station was owned by Jerry Hotovec. The DX station was sold and another building built at the same location in the mid-’60s. This building was the Superior 400, which later became a Gulfstream station, and then was the Pro Coop’s cartrol (i.e., credit card-only station.) The former location of those businesses is now the location of the current bank branch parking lot. It is sandwiched between the Highway 3 and the south side of the branch bank building.
The Rolfe State Bank branch in Pocahontas opened in September of 2001…in a trailer (different than the one Arlene mentioned) which was to the south of the current RSB building. On March 1st of 2004, the Rolfe State Bank moved from the trailer into the present branch building.
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*In case you missed it, here is my oldest sister Clara’s comment from Part I about Mother’s watercolors of the Pocahontas grain elevator.
I remember going with Mother once when she painted the Pocahontas elevator. Although we probably were with other members of the Barr Art Association, I don’t remember if they were there or it was just Mother. Nor do I recall how old I would have been, but if it was this painting, I was probably seven.
One thing that we didn’t discover until recently is that sometimes Mother created more than one painting of the same thing. We think it’s the same, but when we look closely we discover differences. That’s true with this elevator painting. We don’t know if Mother was so intrigued with the painting that she did another, if she was trying to correct a flaw (she always thought of something that could be improved), or if she was creating another painting for someone else.
(Click here to go to Louise Gunderson Shimon’s blog’s home page.)